Sitter
Sequoyah, c. 1770 – Aug 1843
Date
c. 1830
Type
Painting
Medium
Oil on canvas
Dimensions
Stretcher: 76.8 x 64.1 x 2.5cm (30 1/4 x 25 1/4 x 1″)
Frame: 89.5 x 77.5 x 8.9cm (35 1/4 x 30 1/2 x 3 1/2″)
Credit Line
National Portrait Gallery, Smithsonian Institution
Restrictions & Rights
CC0
Object number
NPG.79.174
Exhibition Label
Born Cherokee town of Tuskegee, eastern Tennessee
Sequoyah, the son of a Cherokee woman and a fur trader from Virginia, was a warrior, a hunter, and a silversmith. For twelve years, he worked to devise a method of writing for the Cherokee language. His syllabary, which ultimately included eighty-six symbols representing each of the language’s syllables, was approved by the Cherokee chiefs in 1825. The straightforward system made possible a rapid spread of literacy throughout the Cherokee nation and the creation of written documents, including a constitution in 1827. The following year, the Cherokee Phoenix, a weekly bilingual newspaper, began publication in New Echota, Georgia.
This portrait of Sequoyah is based on a painting by Charles Bird King, who is best known for his portrayals of Native Americans. The original work, which was commissioned by Superintendent of Indian Affairs Thomas McKenney, was destroyed by the fire that swept through the Smithsonian Castle building in January 1865.
Provenance
Geoffrey B. Churchill, Wilbraham, Mass.; purchased 1979 NPG
Data Source
National Portrait Gallery
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Mike’s notes:
Image restoration note – This image has been digitally adjusted for one or more of the following:
– fade correction,
– color, contrast, and/or saturation enhancement
– selected spot and/or scratch removal
– cropped for composition and/or to accentuate subject matter
– straighten image
Image restoration is the process of using digital restoration tools to create new digital versions of the images while also improving their quality and repairing damage.